Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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According to Michael Nerlich ( Ideology of Adventure ), “all figures of the Greek and Latin novels of adventure are ‘involuntary’ adventurers.” Mikhail Bakhtin too ( Dialogic Imagination ) emphasizes that in earlier adventures “an individual can be nothing other than completely passive, completely unchanging” and function as “merely the…
Winder McConnell ( Nibelungenleid , 98-99) sketches the changing uses of the epic in the mid-20 th century: “During the Weimar Republic, the themes and motifs of the Nibelungenlied had been employed by authors of antirepublican persuasion to express optimism for Germany’s future, but poets and dramatists sympathetic to the…
In an essay in A Companion to Gottfried of Strassburg's Tristan , Ulrich Muller argues that “In Tristan und Isolde Wagner radically transformed the meaning and message of Gottfried’s romance, just as he had in Parsifal. As cast by Gottfried (and in all medieval versions), the lovers and their love…
Andreas Capellanus literally wrote the book on the Art of Courtly Love , but the concluding Book 3 suggests that the book was a cautionary tale throughout. Capellanus closes the treatise with an exhortation to Walter, the man to whom the book is addressed to abstain from the desires of…
Even today, when historians have abandoned the idea, many regard the Middle Ages as a time dark and ignorant, the huddled masses in shadows until the burst of light that came with the Renaissance and then the Enlightenment. For centuries, it is often thought, medieval thinkers knew little of the…
Allegorization was one of the techniques medieval used, adapted from ancient writers, to incorporate pagan writing in a biblical framework. As Ernst Curtius ( European Literature and the Latin Middle Ages ) writes, “the Middle Ages subjected profane writers to allegorical interpretation exactly as it did the Bible, and .…
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