Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every advent of new media creates the justifiable reaction from some that the necessarily accompanied amputation may not be worth the extension made possible by the new tools. This is not unique to the Digital Age. Lamoignon Malesherbes, the French politician who was counsel for the defense of Louis XVI,…
A response to Gage Crowder's " The Hole in our Hope ?" Already, the first pages of the Bible promise a bright future. The story starts with the creation of heaven and earth, where heaven is perfect, but the earth is in a state of formless emptiness. Yet, God takes…
A rejoinder to Bubu Jarmulak's essay, " Embrace Pessimism ." Whereas calumnious critiques are reflections of more on the critic than the work criticized, good critiques are always opportunities for reassessment and improvement if they are received as such . Since its renaissance, the biblical doctrine of postmillennialism—or “optimistic eschatology,”…
Several decades ago, a pastor (and friend) mentioned in passing at one of our regular breakfasts together that he wasn’t satisfied with the usual reading of Jesus’s prayer in Gethsemane, the usual reading being that Jesus asked the Father to avoid the Cross at Gethsemane. We turned to the passage,…
On May 21, 1604, the cathedral of Toledo in Spain held job interviews for the post of choirmaster, the head of music at the church. The position had been vacated when the previous occupant, Alonso Lobo, was poached by the nearby cathedral of Seville, and Toledo needed a replacement who…
Imagine — counterfactually: on the night he was betrayed, the Lord Jesus held up an empty hand and said, ‘This is the blood of the covenant poured out for you. Drink of it.’ But there was no cup, no wine, nothing. If there’s no sign of the covenant, is there…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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