Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the books of 1 and 2 Corinthians, Paul refers to hardships in his ministry in Asia, specifically Ephesus (1 Corinthians 4:9-13; 15:32; 2 Corinthians 1:8; 4:8-12; 6:4-5; 11:23-25). However, the multiple imprisonments Paul mentions are not fully reflected in Luke’s account of Paul’s ministry — Luke only records a…
After all these months pondering integration, I have come to the point of believing that the dynamic of integration just is the real at its heart. Everything that is real or comes to be real is a dynamo of integrative coherence. I also believe it is true that the real…
Have you heard of Tom Holland? Not the young Tom Holland of Spiderman fame. No doubt you’ve heard of him. I’m referring to the middle age Oxford-trained historian who recently wrote Dominion: The Making of the Western Mind . (Both Hollands are British, so you’ll be forgiven for confusing them.)…
This article was originally published in 1990. (The essay that follows concerns a rather touchy subject: how the Lord’s Supper is to be done. I am not writing to insult or offend, but to challenge. To that end I have not "held back" but have "gone ahead" and said what…
This article was originally published in 1990. In Genesis One, God told Adam and Eve to "be fruitful and multiply, and fill the earth, and subdue it; and rule over the fish of the sea and over the birds of the heavens, and over every living thing that moves on…
On several occasions the gospels record Jesus teaching that only a few will be saved (Matthew 7:14, Matthew 22:14, and Luke 13:23). Careful readers of Scripture should begin to wrestle with how these passages found in the gospels fit together with other passages that teach that many will be saved…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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