Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, all the world is a stage, but like the Tabernacle, that stage moves around a lot. David’s defeat of Goliath can only be fully understood as liturgy fulfilled in history. Liturgy, as a sacrifice of praise, is the step-by-step process of resolving a conflict. It relinquishes all…
Aristotle isn’t fundamentally wrong about friendship, nor is the long tradition that follows him. But you might not gather that by reading some of the more pointed critics of the classical conception of friendship. I think, however, that the classical view is not only viable but taken up and fulfilled…
#13 in Theopolis Papers, Seeking Integration in a Fragmented World It is time for me to “cast off” integration, the way a knitter removes a completed scarf from the needles. I want to bring my quest concerning integration to a decent closure, though my happy quest for reality continues. With…
Below are some notes on a particular sub-theme of Daniel 3, namely the downfall of Babylon’s liturgy. First up, a few words on our text’s literary construction. One of the most conspicuous features of Dan. 3 is its author’s love of lists . Personnel are listed (vs. 2, 3, 27),…
Few things in Scripture, few things in the Christian life, are more familiar than the Lord’s Prayer. Sunday after Sunday, we pray these words together with our brothers and sisters. At home, alone or with our families, we pray this prayer daily, as Jesus taught us (Luke 11:2: “When you…
At the 2019 General Assembly of the Presbyterian Church in America, the denominational delegates considered a number of official overtures (requests for action from the regional parts of the denomination) relating to issues of gender and sexuality. The PCA is conservative. As evidence of this, the assembly passed a resolution…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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