Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, all the world is a stage, but like the Tabernacle, that stage moves around a lot. David’s defeat of Goliath can only be fully understood as liturgy fulfilled in history. Liturgy, as a sacrifice of praise, is the step-by-step process of resolving a conflict. It relinquishes all…
Aristotle isn’t fundamentally wrong about friendship, nor is the long tradition that follows him. But you might not gather that by reading some of the more pointed critics of the classical conception of friendship. I think, however, that the classical view is not only viable but taken up and fulfilled…
#13 in Theopolis Papers, Seeking Integration in a Fragmented World It is time for me to “cast off” integration, the way a knitter removes a completed scarf from the needles. I want to bring my quest concerning integration to a decent closure, though my happy quest for reality continues. With…
Below are some notes on a particular sub-theme of Daniel 3, namely the downfall of Babylon’s liturgy. First up, a few words on our text’s literary construction. One of the most conspicuous features of Dan. 3 is its author’s love of lists . Personnel are listed (vs. 2, 3, 27),…
Few things in Scripture, few things in the Christian life, are more familiar than the Lord’s Prayer. Sunday after Sunday, we pray these words together with our brothers and sisters. At home, alone or with our families, we pray this prayer daily, as Jesus taught us (Luke 11:2: “When you…
At the 2019 General Assembly of the Presbyterian Church in America, the denominational delegates considered a number of official overtures (requests for action from the regional parts of the denomination) relating to issues of gender and sexuality. The PCA is conservative. As evidence of this, the assembly passed a resolution…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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