Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Levine: “In 1853 Putnam’s Magazine had proposed that P. T. Barnum . . . be named the manager of New York’s Opera. ‘He understands what our public wants, and how to gratify that want. He has no foreign antecedents. He is not bullied by the remembrance that they manage so…
Levine: “In 1853 Putnam’s Magazine had proposed that P. T. Barnum . . . be named the manager of New York’s Opera. ‘He understands what our public wants, and how to gratify that want. He has no foreign antecedents. He is not bullied by the remembrance that they manage so…
In his Highbrow/Lowbrow , Lawrence Levine writes that “it is hard to exaggerate the ubiquity of operatic music in nineteenth-century America. In 1861 a band played music from Rigoletto to accompany the inauguration of President Lincoln. In the midst of the Civil War a soldier in the Twenty-fourth Massachusetts Volunteer…
Victor Zuckerkandl points out that Western music since the 17th century has been measured music, that is, music in which beats are organized into groups, into measures. This innovation in musical organization creates a complex rhythmic situation. At one level, there is a recognizable beat running through a piece of…
Some quite random highlights from Milbank’s very rich essay review of Rowan Williams’s Art and Necessity , published in Modern Theology . 1) Milbank makes a numerb of illuminating points about Aquinas’s theory of knowledge, supporting some aspects of Maritain’s Thomism. Instead of addressing the strictly “epistemological” question of how…
This overlaps considerably with previous posts. INTRODUCTION According to John’s description, the world is formed by various “lusts” or desires, and by “pride” and “boasting.” We can respond faithfully to the world only when we discern the desires that shape the world and the desires and boasting provoked by the…
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