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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Life in a Medieval Parish

“Parochial Christianity,” writes Mark Greengrass ( Christendom Destroyed ), “was more than a religious experience. It was a set of rights to benefices which were the key to monopoly revenues (the tithe, collected in various forms) in which patrons, collators and clergymen all had interests. And behind every parish church…

June 5, 2015

Crusoe Errant

Robinson Crusoe suffers enormous hardship before he ever gets to his island, and the hardship seems disproportionate to the wrong he commits. Is running off to sea against his father's wishes such an enormity? In his classic study of Defoe and Spiritual Autobiography , GA Starr explains that Robinson “defies…

June 4, 2015

Restorative Justice

Howard Zehr makes clear in his Little Book of Restorative Justice that “restorative justice” isn't a panacea. It doesn't pretend to replace the the legal system, nor is it necessarily opposed to retribution (12-13). Primarily, restorative justice is an effort to put the principle actors back at the center of…

June 4, 2015

Gift of Work

RJ Snell's Acedia is about acedia. But before he gets to his extended analysis of that vice, he offers a superb, brilliantly brief, ontology and anthropology, drawing on the resources of Trinitarian theology and the book of Genesis. Among other things, Snell emphasizes the gift that is human work, a…

June 4, 2015

On a cloud

John sees one like a son of man on a cloud, holding a sickle (Revelation 14:14). We assume that He's traveling down to reap the harvest, but is that correct? The original for this son-cloud combination if Daniel 7:13, where it is clear that the Son of Man comes up…

June 4, 2015

Ideological art

D avid Goldman ( It's Not the End of the World, It's Just the End of You ) argues that “modern art is ideological, as its proponents are the first to admit. It was the ideologues, namely the critics, who made the reputation of the abstract impressionists, the most famous…

June 3, 2015

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