Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Reflecting on the centennial of the Fundamentalist-Modernist Controversy, Theopolis contributor Tim Nichols asked Dr. Leithart and me what the five fundamentals of the faith were today . His thoughts went something like this: Back in the early 20th century, in response to a ruinous drift away from the historic Christian…
1. Introduction In this article, I delve into some parallels found in the scholarly analysis of two important literary works: the Testimonium Flavianum by Josephus ( Antiquities 18.63–64) and the Olivet Discourse in the gospel of Matthew (Matthew 24–25). These texts have been at the center of countless academic discussions,…
Over the last twenty years, our American culture has created a culture of obsession over trauma. This could be a result of publications such as The Body Keeps the Score by Bessel van der Kolk, which explores the lasting effect on health that traumatic experiences can have. Or it could…
The Beloved celebrates the beauty of his Shulamite’s lips, describing them as “a thread of crimson” upon a mouth that is altogether lovely (Song 4:3). It were easy perhaps to pass by this all too quickly, passing it off, if we attend to it at all, as a kind of…
This article originally appeared at American Reformer on October 29, 2025. Reproduced with permission. Why the West Was Never Meant to Be Governed by Law Alone Back in the early nineties, I was in the candidate process for Undergraduate Pilot Training with the Texas Air National Guard, hoping to fly…
In his book From Silence to Song: The Davidic Liturgical Revolution , Peter Leithart shows that David, the author of so many Psalms and the musician who trained choirs, instituted a musical and liturgical revolution of how the people of Israel worshipped. The liturgical revolution in turn was designed to…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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