Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Maybe you have heard it said that you will be content when you learn to empty yourself of all your desire. If you want nothing, you will always be happy with what you have. Maybe this seemed like an extremely godly point of view, and you felt guilty that you…
I write to mark a milestone and to commend to you an old book: my first philosophy book, Longing to Know: The Philosophy of Knowledge for Ordinary People (Brazos, 2003), has reached its twentieth anniversary. Although two decades have passed, the book continues to be relevant to our affairs in…
Consider what we mean today when we talk about “discipling” someone. In a typical evangelical setting, that’s going to mean you grab a cup of coffee for an hour once a week. You’ll talk about life, share some wisdom, pray for each other. There may be Bible reading and Scripture…
Theopolitan Bible Memorization BINDING THE WORD TO YOUR HEART Memorization has been an important tool for humanity since the beginning. In an age where smart phones are ubiquitous, memorization appears outdated. Why memorize anything that could be looked up on a phone in seconds? This new technology leaves many unable…
2022-2023 Prize The Theopolis Institute is pleased to announce the third round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural…
“Gender is a social construct,” the transgender apologists tell us, thinking with that single stroke they’ve negated gender roles; that they’ve relegated them to the optional, like what kind of cuisine you prefer. Sure, you may be born Italian but that doesn’t mean you’re now bound, by the expectations of…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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