Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Interwoven within Leviticus’ opening offerings is a redemptive storyline meant to be rehearsed. Each offering makes a particular contribution to the retelling of the Exodus deliverance. Like learning a dance, Israel’s opening rituals recount their steps from Egypt to Sinai in a fashion meant to perpetually imprint its experience on…
In Capernaum, the leaders of Israel questioned Jesus in their hearts. Beside the sea, they questioned his disciples about their rabbi’s practices. They challenged Jesus in the grain fields, sought to trap him in the synagogue, tried to seize him, thinking he was mad, and accused him of being possessed.…
An essay on ministry taken from recent notes for a ‘solemn charge’ I gave our pastoral team (together with their spouses) at All Saints Honolulu, a church-plant that enters its fifth year. I. After receiving the sword of Goliath from Ahimelech at Nob, and after fleeing first to and then…
When thinking about the book of Genesis, we often think of beginnings, the beginning of the world, humanity, the elect people of God. The word “genesis” itself means beginning. Genesis is also known as the book of promises. Genesis contains three of the major Old Testament covenants: Adamic, Noahic and…
A Theological and Typological Commentary on Luke 24:4 In Luke 24:4, we are told that as the women arrived at the tomb on Easter morning, they encountered “two men in dazzling apparel” standing beside them. This description, on its own, may not immediately provoke questions. The traditional interpretation identifies these…
For Part 1, click HERE . The four Gospel accounts give us their strange and wonderful historical accounts of the resurrection of Jesus. The rest of the New Testament, either explicitly or by suggestion, refers to the resurrection in every book except 3 John. Unlike the Gospel accounts, however, most…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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