Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…
Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…
Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…
“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…
“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…
On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…
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Carey Ellen Walsh ( Exquisite Desire ) points to the difference between classical responses to desire and the account of desire in the Song of Songs.  Using Odysseus and the Sirens as an illustration, she notes how this scene reveals the Greek instinct that desire “harbors danger by rendering its…
Love is as strong as death.  But no stronger.  It’s a standoff. No, Jenson says: “death does not allow of stalemates.  If love binds lovers even in death’s despite, death is overcome by love.  Nor does the grave allow of partial retrievals; if it yields its prey, then its jealousy…
Barthian that he is, Jenson gets the point of the Song’s “seal on my heart” just right: Jesus’ “death has made us the seal of his identity: he dies ‘for’ us, in identification with us.  Now he is not what he is without us; he did not go into death…
Robert Jenson ( Song Of Songs (Interpretation, a Bible Commentary for Teaching and Preaching) ) notes that Song of Songs 8:6-7 contains “pervading reference to the myths of Israel’s religious milieu: ” Mot can indeed be translated simply ‘death,’ but it is also a proper name, for the Canaanite god…
Jealousy refers to a relentless and exclusive passion and attachment.  For Solomon, it is as hard as the grave.  Once someone goes into the grave, the grave doesn’t let him back up; once it takes hold, it doesn’t let go.  Jealousy is like that.  It is “that aspect of love…
Given the “canon” that Scripture speaks “doubly” of Christ (sometimes divinely, sometimes humanly), it would seem easy for Athanasius to shuffle passages about the Father giving and the Son receiving to the “humanity” side of things.  He doesn’t, and He’s right.  The Son has all that the Father has, and…
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