Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…
Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…
Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…
We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…
Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…
Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…
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Carey Ellen Walsh ( Exquisite Desire ) points to the difference between classical responses to desire and the account of desire in the Song of Songs.  Using Odysseus and the Sirens as an illustration, she notes how this scene reveals the Greek instinct that desire “harbors danger by rendering its…
Love is as strong as death.  But no stronger.  It’s a standoff. No, Jenson says: “death does not allow of stalemates.  If love binds lovers even in death’s despite, death is overcome by love.  Nor does the grave allow of partial retrievals; if it yields its prey, then its jealousy…
Barthian that he is, Jenson gets the point of the Song’s “seal on my heart” just right: Jesus’ “death has made us the seal of his identity: he dies ‘for’ us, in identification with us.  Now he is not what he is without us; he did not go into death…
Robert Jenson ( Song Of Songs (Interpretation, a Bible Commentary for Teaching and Preaching) ) notes that Song of Songs 8:6-7 contains “pervading reference to the myths of Israel’s religious milieu: ” Mot can indeed be translated simply ‘death,’ but it is also a proper name, for the Canaanite god…
Jealousy refers to a relentless and exclusive passion and attachment.  For Solomon, it is as hard as the grave.  Once someone goes into the grave, the grave doesn’t let him back up; once it takes hold, it doesn’t let go.  Jealousy is like that.  It is “that aspect of love…
Given the “canon” that Scripture speaks “doubly” of Christ (sometimes divinely, sometimes humanly), it would seem easy for Athanasius to shuffle passages about the Father giving and the Son receiving to the “humanity” side of things.  He doesn’t, and He’s right.  The Son has all that the Father has, and…
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