Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…
Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…
In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…
For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…
How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…
Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…
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Yahweh speaks with the voice of many waters, and so does Jesus.  That means loud, but it also means that the voice is the source of life (cf. Numbers 20:11; 24:7; Ezekiel 17:5), like the abundant waters in the wilderness. Many waters cannot quench the flame of Love.  That is,…
“Set me as a seal upon your heart,” says the Bride to the Bridegroom. Now the priest wore stones with the names of the tribes “engraven like a seal” on his breastplate (Exodus 28:11, 21) and the name of Yahweh, also “engraven like a seal” on the golden plate on…
Erik Peterson ( Das Buch von den Engeln ) points out that the new song of Revelation 5 is sung by people from every tongue and nation and people.  Thus, “the hymn of the church is the transcending of all national hymns, as the speech of the church is the…
Hegel’s “sublation” seems to be a conceptual vestige of perichoresis. Sublation requires the Trinity: If all is one, nothing other can be absorbed within being destroyed.  If we have sheer differentiation, all is utterly other. Hegel is right: Sublation happens.  Aquinas does absorb Aristotle, so that Aristotle is still recognizably…
INTRODUCTION The Song of Songs is a love poem, but both Jewish and Christian readers have discerned that it’s something more than that.  Ultimately, the Song is nothing less than the gospel. THE TEXT “Put me like a seal over your heart, like a seal on your arm for love is…
All history, Hegel says, is the death and resurrection of Jesus, the God’s embrace of negativity and death and their sublation in the resurrection.  This movement of incarnation, death, and death-nestled-in-resurrection is, moreover, the pattern of thought.  As Hegel says, “‘God himself is dead,’ it says in a Lutheran hymn,…
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