Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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A web summary of Lacan’s negative account of desire says, “In constructing our fantasy-version of reality, we establish coordinates for our desire; we situate both ourselves and our object of desire, as well as the relation between. As Slavoj Zizek puts it, ’ through fantasy, we learn how to desire’…
“I am my beloved’s, and his desire is for me,” says the bride in the Song of Songs (7:10). “Desire” is the same word used in Genesis 3:16 and 4:7, both of which describe a desire for authority, domination, rule, a threatening desire.  The bridegroom of the Song reverses the…
We’re all deists.  The design of the universe shows that a Great Intelligent Something is responsible for it. No, says Athanasius.  The design of the universe is the impress of eternal wisdom on the creation.  The cunning of creation doesn’t manifest “God,” but eternal creative Wisdom, the eternal Word, whose…
Thomas writes that “to signify something by words or merely by the construction of images . . . yields nothing but the literal sense” and “poetic images refer to something other than themselves only so as to signify them; and so a signification of that sort goes no way beyond…
Denys Turner notes that the Song of Songs presented challenges to the “minority” of medieval theologians who argued for a more rigorous grounding of spiritual in literal senses.  For these, the text speaks literally, referring to specific events; and these events, as Thomas says, providentially typify future events. To qualify…
The distinction of image and likeness has been a common one in the history of theology, East and West, and in the West at least it overlaps with the nature/grace dualism.  Image for Bonventure “denotes a kind of ‘shape,’ that is, a quantitative feature of quality or a qualitative feature…
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