Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…
Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…
Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…
We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…
Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…
Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…
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A web summary of Lacan’s negative account of desire says, “In constructing our fantasy-version of reality, we establish coordinates for our desire; we situate both ourselves and our object of desire, as well as the relation between. As Slavoj Zizek puts it, ’ through fantasy, we learn how to desire’…
“I am my beloved’s, and his desire is for me,” says the bride in the Song of Songs (7:10). “Desire” is the same word used in Genesis 3:16 and 4:7, both of which describe a desire for authority, domination, rule, a threatening desire.  The bridegroom of the Song reverses the…
We’re all deists.  The design of the universe shows that a Great Intelligent Something is responsible for it. No, says Athanasius.  The design of the universe is the impress of eternal wisdom on the creation.  The cunning of creation doesn’t manifest “God,” but eternal creative Wisdom, the eternal Word, whose…
Thomas writes that “to signify something by words or merely by the construction of images . . . yields nothing but the literal sense” and “poetic images refer to something other than themselves only so as to signify them; and so a signification of that sort goes no way beyond…
Denys Turner notes that the Song of Songs presented challenges to the “minority” of medieval theologians who argued for a more rigorous grounding of spiritual in literal senses.  For these, the text speaks literally, referring to specific events; and these events, as Thomas says, providentially typify future events. To qualify…
The distinction of image and likeness has been a common one in the history of theology, East and West, and in the West at least it overlaps with the nature/grace dualism.  Image for Bonventure “denotes a kind of ‘shape,’ that is, a quantitative feature of quality or a qualitative feature…
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