Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Flying scrolls. Red horses. Beasts coming out of the sea. Winged women. The list goes on. Apocalyptic literature in the Bible is like a cross between science fiction and Marvel comics. And the Bible has a fair bit of this sort of thing. Daniel sees visions in Babylon, Zechariah sees…
Trinity House Institute has taken a new name, the Theopolis Institute. This striking new name expresses our unique vision and mission and captures the unified purpose behind all our specific programs and activities. We still have Bible, liturgy, and culture in our tagline. We still offer the same courses on…
Adam Kotsko offers a socio-political variation on the Christus Victor atonement theory in his 2010 study, The Politics of Redemption: The Social Logic of Salvation . He does this by explaining "the devil" in terms of the Hegelian concept of "objective spirit," Geist . As Kotsko puts it, Geist "refers…
Two factors keep Nahtali Meshel from discussing the meaning of sacrifice until late in his The "Grammar" of Sacrifice . The first has to do with the texts he draws from: "P says little about the meaning of its rituals" (174). The other has to do with the grammatical theory…
Chapter 5 of Naphtali Meshel's The "Grammar" of Sacrifice focuses on "praxemics," the physical actions of sacrificial ritual. Praxemes are constituted by six elements: an "atomact," an elementary physical act or gesture; an actor; an object that is acted up; a target for the action and often for the object…
Two chapters of Naphtali Meshel’s The “Grammar” of Sacrifice cover what he calls “jugation” and “hierarchies.” The first involves the addition of other materials to an animal offering. Jugates include wine, cereal, and oil that are added to the animals (zoemes) that are offered in sacrifice. Some jugates are coordinated…
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Adorno writes that enjoyment is not the be-all of art.  Certainly it isn’t for the producers of art: “If you ask a musician if he enjoys playing his instrument, he will probably reply: ‘I hate it’ . . . People who have a genuine relation to art would rather immerse…
Soteriology is eschatology, and that means soteriology  has to have an already/not yet structure.  Rejecting either justification by faith or judgment according to works breaks the bond of eschatology and soteriology.  Another way to say this is soteriology is about what happens in time . The alternatives are: 1) Antinomian:…
Commenting on the “seal” in Song of Songs 4:12, Luther writes, “In the same way we Christians are now sealed by the Word, Baptism, and the Sacramental of the Altar, by which we are distinguished from all other races, not just before the world, but rather in God’s own judgment.”…
In his classic essay on the “work of art in the age of mechanical reproduction,” Walter Benjamin made some trenchant observations on the way film affects actors and audiences.   Importantly, he believes these effects are not the result of some perversion of the medium of film, but inherent in…
Paul Niskanen has an insightful analysis of Genesis 1:27 in the latest JBL .  He starts with the question of whether Barth’s view that the image of God is found in relationality and specifically in sexual difference has any exegetical support.  He reviews the current discussion, and notes that there…
Ouch!  Schaeffer again, this time on Heidegger’s interpretive methods: “Paraphrase, translation, dismantling of the syntax, making the text autonomous with regard to the concrete subject who utters it, absolute silence regarding the poetic form: to these five characteristics we must add hermeneutic authoritarianism,” the last of which “postulates an opposition…
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