Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mystical theologians are often unguarded, extreme, un-nuanced, pressing to the edges of heresy, sometimes beyond. Still, the mystics are worthy of study. Why? Many reasons. Unlike some late medieval and post-Reformation dogmaticians, mystical theologians are often instinctively and richly Trinitarian. Historical-critical approaches to Scripture left mystical theologians virtually untouched; mystics…
Portia of Belmont is a “lady richly left,” as Bassanio says of her in the first Act of The Merchant of Venice . Plus, she’s beautiful and wise. Suitors clamber to Belmont in hope. Her father knew it would be so, and in his will set up a fairy-tale test…
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In the nature of the case, “the” Christian meditation on Deuteronomy 14:1-21 cannot be written. Meditation offers too many possibilities, opens too many doors. There is not one and only one correct set of associations for a Christian to consider when thinking of Deuteronomy 14:1-21. We could, for example, consider…
Having retold the story of the cumulative sin of Israel leading to the great atonement on the cross, Paul then reemphasizes that, just as both Jew and Gentiles were locked into sin and judgment, now they are both justified by faith: Then what becomes of our boasting? It is excluded.…
Deuteronomy 14 is full of allusions to events of Israel’s history and other portions of Scripture. What would an Israelite learn by mediation on these allusions? The answer, I believe, is at least fourfold. Faith, Worship, War For the ancient Israelite first hearing Moses’ sermon, or perhaps hearing it read…
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Still further evidence that a) Hegel can’t get away from Kant’s pietism and b) Hamann would have been as right about Hegel as he was about Kant.  Jean-Marie Schaeffer writes of the impact of the incarnation on history: “it is through God’s becoming man, through the life and passion of…
Andrew Bowie ( Aesthetics and Subjectivity : From Kant to Nietzsche ) challenges the typical postmodern characterization of modern philosophy by highlighting music.  Heidegger views “the growth of the importance of music in modernity as grounded in an attitude to art based just upon feeling ‘which has been left to…
Esau is a “hairy man” ( sa’iyr ), something we learn only when Jacob dresses himself in goat hair to approach his father (Genesis 27:11, 23). Jacob becomes a hairy one, subbing in for his brother. The only other use of the word in Genesis is in 37:31, where it…
When Moses objects that he cannot speak, Yahweh assigns his “brother Aaron” to be his spokesman and prophet (Exodus 4:14; 7:1-2).  The next time Aaron is identified as Moses’ brother is in Exodus 28, where he is given the garments of glory and beauty to approach Yahweh, and the phrase…
Greek art, Hegel says, brings art to its summit.  This presents a difficulty: The greatest sensuous artistic form occurs within a polytheistic, inadequate religion. In Jean-Marie Schaeffer’s summary, Hegel resolves this by pointing to the very brokenness of the bodily form of Christ in Christian art: “in Christian art, Christ…
Heidegger got it exactly right: “We never really first perceive a throng of sensations, e.g., tones and noises, in the appearance of things . . . rather we hear the storm whistling in the chimney, we hear the three-motored plane, we hear the Mercedes in immediate distinction from the Volkswagen.…
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