Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
Showing page 202 of 309
Showing page 2 of 43
Still further evidence that a) Hegel can’t get away from Kant’s pietism and b) Hamann would have been as right about Hegel as he was about Kant.  Jean-Marie Schaeffer writes of the impact of the incarnation on history: “it is through God’s becoming man, through the life and passion of…
Andrew Bowie ( Aesthetics and Subjectivity : From Kant to Nietzsche ) challenges the typical postmodern characterization of modern philosophy by highlighting music.  Heidegger views “the growth of the importance of music in modernity as grounded in an attitude to art based just upon feeling ‘which has been left to…
Esau is a “hairy man” ( sa’iyr ), something we learn only when Jacob dresses himself in goat hair to approach his father (Genesis 27:11, 23). Jacob becomes a hairy one, subbing in for his brother. The only other use of the word in Genesis is in 37:31, where it…
When Moses objects that he cannot speak, Yahweh assigns his “brother Aaron” to be his spokesman and prophet (Exodus 4:14; 7:1-2).  The next time Aaron is identified as Moses’ brother is in Exodus 28, where he is given the garments of glory and beauty to approach Yahweh, and the phrase…
Greek art, Hegel says, brings art to its summit.  This presents a difficulty: The greatest sensuous artistic form occurs within a polytheistic, inadequate religion. In Jean-Marie Schaeffer’s summary, Hegel resolves this by pointing to the very brokenness of the bodily form of Christ in Christian art: “in Christian art, Christ…
Heidegger got it exactly right: “We never really first perceive a throng of sensations, e.g., tones and noises, in the appearance of things . . . rather we hear the storm whistling in the chimney, we hear the three-motored plane, we hear the Mercedes in immediate distinction from the Volkswagen.…
Showing page 1347 of 2212
Your weekly digest for all things Theopolis.
