Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There’s something about joy that is infectious. And occasionally, we all have the opportunity to be in someone’s presence who is so happily engaged in their work, so joyous in their pursuits, that we want to learn from them. We want to know where that joy comes from and attain…
Jesus has told us that He intends all nations to be discipled. Nations. Not just individuals. All nations as theocracies. That being the case, the Church exists for the life of the world. Being baptized is not only a matter of becoming part of a new family, it is also…
Harold Bloom’s essay on Macbeth includes the kind of penetrating insights that make Bloom the great Shakespearean scholar that he is, but it also includes his typical and intense anti-Christian bias. “If Lear was pre-Christian, then Macbeth is weirdly post-Christian. There are, as we have seen, Christian intimations that haunt…
Revelation 16 is a day of atonement text. The tabernacle of the testimony has been opened (15:5). The angels who receive the bowls are clothed in linen (15:6), the clothing of the high priest when he goes into the sanctuary on the day of atonement (Leviticus 16:4). The temple is…
From time to time, when I’ve lectured on how to read the Bible, I’ve used art-music as one example thereof. When we listen to a simple folk song, we hear the same melody over and over again, but this is not how composers write "high" music. Let me amplify. A…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
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According to Pickstock, Augustine’s musical ontology is not a mere subordination of space to time, or a univocal “Dionysian flow”: “just as important as the priority of time, for Augustine, is the insistence on articulation into distinct musical units or phrases, the very move which allows a stress upon the simultaneity…
Nothing comes from nothing.  That seems obvious, and Christians have traditionally had some difficulty explaining why creatio ex nihilo is a defensible violation of that basic principle. According to Catherine Pickstock, Augustine viewed creation ex nihilo as the most rational position.  All around us, “things are continuously coming to be…
In responding to Milbank’s analysis of Augustine on the secular, RA Markus ( Christianity And the Secular (Blessed Pope John XXIII Lecture Series in Theology and Culture) ) borrows MJ Hollerich’s summary of Milbank that there is no “neutral public sphere in which people can act politically without reference to…
Jean-Marie Schaeffer ( Art of the Modern Age: Philosophy of Art from Kant to Heidegger (New French Thought Series) has a blast pointing out the contradictions in Kant’s aesthetics. Most of them arise from Kant’s insistence that the judgment of taste is founded on “the form of a finality” that…
Can effects double as causes? Kant, still working with some form of final causality, thinks so: There are cases when “the thing that for the moment is designated effect deserves none the less, if we take the series regressively, to be called the cause of the thing of which it…
Evidence that Hamann had Kant right: In explaining taste as a common sense, he notes that this common sense of beauty can be arrived at by a process of stripping off whatever belongs to our perception and prejudice. That is, we put “ourselves in the position of every one else,…
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