Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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Bowersock contrasts the stance of Christians and Jews toward the Greco-Roman world: “it was precisely the Christians’ vigorous participation in the civic life and intellectual traditions of the Graeco-Roman world that grounded their martyrdoms in the life of the great cities. The Jews, by contrast, had conspicuously chosen a different…
GW Bowersock ( Martyrdom and Rome (Wiles Lectures) ) cites an article by Louis Robert to explain Perpetua’s vision at her martyrdom. She saw “a man of enormous height, whose head rises above the very top of the amphitheater itself, and whose clothes show purple garments not only falling from…
Jane Harrison begins her Prolegomena to the Study of Greek Religion (Mythos Books) with a quotation from Ruskin regarding the “genius of the Greeks”: “there is no dread in their hearts; pensiveness, amazement, often deepest grief and desolation, but terror never. Everlasting calm in the presence of all Fate, and…
David Gress’s excellent From Plato to NATO: The Idea of the West and Its Opponents shows that classics programs, the discipline of classics, great books programs, are founded on a highly questionable “grand narrative” of Western civilization. According to this narrative, Western history is a series of magic moments, beginning…
Dio Cassius ( Roman History , 77.7) describes how Caracalla modelsed himself after Alexander the Great: “He was so enthusiastic about Alexander that he used certain weapons and cups which he believed had once been his, and he also set up many likenesses of him both in the camps and…
Kenneth Clark: “Facts become art through love, which unifies them and lifts them to a higher plane of reality.” Almost right, that. Right on the link between artifice (poetry, courtesy, ornamentation) and love. Right too on the unifying metaphoricity of art. Right too on the link of fact and art.…
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