Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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Bowersock contrasts the stance of Christians and Jews toward the Greco-Roman world: “it was precisely the Christians’ vigorous participation in the civic life and intellectual traditions of the Graeco-Roman world that grounded their martyrdoms in the life of the great cities. The Jews, by contrast, had conspicuously chosen a different…
GW Bowersock ( Martyrdom and Rome (Wiles Lectures) ) cites an article by Louis Robert to explain Perpetua’s vision at her martyrdom. She saw “a man of enormous height, whose head rises above the very top of the amphitheater itself, and whose clothes show purple garments not only falling from…
Jane Harrison begins her Prolegomena to the Study of Greek Religion (Mythos Books) with a quotation from Ruskin regarding the “genius of the Greeks”: “there is no dread in their hearts; pensiveness, amazement, often deepest grief and desolation, but terror never. Everlasting calm in the presence of all Fate, and…
David Gress’s excellent From Plato to NATO: The Idea of the West and Its Opponents shows that classics programs, the discipline of classics, great books programs, are founded on a highly questionable “grand narrative” of Western civilization. According to this narrative, Western history is a series of magic moments, beginning…
Dio Cassius ( Roman History , 77.7) describes how Caracalla modelsed himself after Alexander the Great: “He was so enthusiastic about Alexander that he used certain weapons and cups which he believed had once been his, and he also set up many likenesses of him both in the camps and…
Kenneth Clark: “Facts become art through love, which unifies them and lifts them to a higher plane of reality.” Almost right, that. Right on the link between artifice (poetry, courtesy, ornamentation) and love. Right too on the unifying metaphoricity of art. Right too on the link of fact and art.…
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