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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartFebruary 3, 2014
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Sexuality

Crushes as Spiritual Warfare?

For many young people with safe and easy lives, the most heartfelt prayers often concern relationships with the opposite sex. I used to be embarrassed by this, since I felt a little panty-waisted praying for “wisdom” about “that girl” while reading: Be merciful to me, O God, for man would…

by Christian LeithartJanuary 30, 2014
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Books

Slavery of Death - A Reponse

I’d like to start by thanking Peter for taking the time to read and review The Slavery of Death and for letting me share a few thoughts about some the questions and concerns he had about the book. Let me start with a confession. Interdisciplinary work is a scary thing…

by Richard BeckJanuary 27, 2014
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Rosenstock-Huessy

Alpha and Omega, Jews and Gentiles

The extension of rights to the Jews was one of the great achievements of the French Revolution, and in Out of Revolution: Autobiography of Western Man (219-29) Rosenstock-Huessy moves from a discussion of the resulting Jewish enthusiasm for liberalism to a digression dealing with the relation of Jews and Gentiles…

by Peter LeithartJanuary 22, 2014
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Books

Slavery of Death

In two recent books, The Slavery of Death (2014) and Unclean: Meditations on Purity, Hospitality, and Mortality (2011), Richard Beck, a professor of psychology at Abilene Christian University, explores the connections of theology and psychology. Both books examine the overlap between biblical themes and psychological research. The Slavery of Death…

by Peter LeithartJanuary 20, 2014
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Isaiah

Light of the Nations

Epiphany is a season of light. The specific event celebrated during Epiphany is the visit of the magi to the Christ child, but the magi were always understood as the firstfruits of the nations. The magi were drawn to the Christ child by a light in the sky, a star…

by Peter LeithartJanuary 16, 2014

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History

Male Muse

In a NYT review of Arthur Phillips’s latest, Kate Christensen comments, “The male muse is an unaccountably rare thing in art, with the exception of the men who inspired the likes of Auden and O’Hara — that is, men who were as sexualized and fetishized as their female counter parts,…

April 10, 2009
History

We Were Never Modern

Carl Becker ( The Heavenly City of the Eighteenth-Century Philosophers ) writes that though the Philosophes were devoted to reason, “a skeptical lot, atheists in effect if not by profession, addicted to science and the scientific method, always ready to crush the infamous, valiant defenders of liberty, equality, fraternity, freedom…

April 10, 2009
History

House of gods

In an article on Constantine’s church-building, Gregory Alexander repeats a commonplace about the difference between pagan and Christian places of worship: “The temple is a house for the god; the church is a gathering place for communal worship.” Yes, but: Jesus says He’ll be there in our gathering, so the…

April 9, 2009
History

Freeman on Persecution

Freeman’s colossal misconceptions come out on every page. Under that patient persecution by the Romans, some Christians saw the light and offered sacrifice, but others “resisted to the point of martyrdom.” Not that it mattered much; they were eager to die, since they preferred “their reward in heaven . .…

April 8, 2009
History

Freeman’s distortions

Two instances of Freeman’s distortions (these from The Closing of the Western Mind ). First, he has a couple of pictures of the Riace warrior statue from Delphi, which “represents man at his most heroic, almost a god in his own right.” On the facing page he says “By the…

April 8, 2009
History

Christ and Caesar

Charles Freeman notes that the sarcophagus of the Roman aristocrat Junius Bassus depicts Jesus “entering Jerusalem as if he was an emperor entering a city, and above this image he is shown sitting in glory on an imperial throne set above a representation of heaven.” He cites Sabine MacCormack’s comment…

April 8, 2009

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