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Art

The Second Word V: On Images and Art, Part 3

The Failure of the Church Yet a third factor played an important role in this historical development, in addition to the imperial adoption of icons and the rise of the icons of the holy man. Brown writes: "The great Christian basilicas of the previous centuries tended to stand empty, except…

by James B. JordanSeptember 4, 1998
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Biblical Horizons

Patriarchal Dominion

The three large patriarchal narratives of Genesis concern the three aspects of the cosmos: matter, space, and time. Over these three is man given dominion. Lucifer was originally appointed to train man in this dominion, but he chose to lead man into rebellion instead. Thus, the Angel of Yahweh replaced…

by James B. JordanAugust 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 6

Part 6: Living in a Dying World (continued) The "Trivium" (continued) The five stages of education are simply the five stages of the covenant as God administers it in human life and history, and in the liturgy of covenant renewal: First, God announces Himself. "I am Yahweh Your God." He…

by James B. JordanAugust 4, 1998
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Biblical Studies

Re-creation in the Ascension Offering

The following essay is tentative and exploratory, offered for your consideration. It seems to me that the ritual of the Ascension Offering (incorrectly translated as Burnt Offering) of Leviticus 1 is a symbolic recapitulation of Genesis 1, which thereby portrays the sacrificial ritual as way of moving from a fallen…

by James B. JordanJuly 4, 1998
Biblical Horizons

The Framework Hypothesis: A Gnostic Heresy

Just as the vast majority of evangelical Christians in America today are Arminian and Baptist, so the vast majority do not believe in a creation around 4000 BC. I don’t expect any of these three situations to change anytime soon. Powerful presuppositions are at work in all three instances, along…

by James B. JordanJuly 4, 1998
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Art

The Second Word V: On Images and Art, Part 2

The Iconoclastic Controversy Continuing Pagan Influence How did images creep in? To begin with, there was in the post-Constantinian Church a concerted effort on the part of the semi-pagans to interpret Christianity in essentially pantheistic terms. The heretics put God and man on a continuum of "being," so that God…

by James B. JordanJuly 4, 1998

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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