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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Authority

The Restrainer

When Samuel saw Saul, Yahweh answered him, "Behold, the man of whom I spoke to you! This one will restrain My people" (1 Samuel 9:17) Many English versions of 1 Samuel 9:17 read, "This one will rule over My people," but that is a mistranslation. The Hebrew verb is `atsar…

by James B. JordanDecember 4, 1992
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Acts

Chronology of the Gospels

We have arrived at the tentative date of A.M. 3474 for the decree of Cyrus, and we have determined to operate as if the 70 weeks of Daniel 9 are literal years. We also decided that Messiah the Prince arrives at the beginning of the 70th week, after the 69…

by James B. JordanDecember 4, 1992
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Biblical Studies

The Dramatic Structure of Proverbs

The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…

by Peter LeithartNovember 17, 1992
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Leviticus

Leviticus 27

I recently had the privilege and pleasure of reading the first draught of Gary North’s Economic Commentary on Leviticus , which will be out some time next year. Gary’s comments on Leviticus 27 were stimulating, and caused me to take another look at the passage. The results, which I sent…

by James B. JordanNovember 4, 1992
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Daniel

Bridging the Last Gap: Daniel’s Seventy Weeks Revisited

As we have seen in this series, each time there is a new covenant, there is a break in the year-by-year chronology. At the same time, each time the break is crossed by information provided in the text. Thus, the year-by-year chronology breaks down at the birth of Abraham, but…

by James B. JordanNovember 4, 1992
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Art

The Openness of Literature & the Mystery of Art

The Openness of Literature Let’s discuss literature for a moment. There are two ways a story or novel can close. The first is called poetic justice. When a story ends with poetic justice, the bad guys are all punished and the good guys are all rewarded. This kind of story…

by James B. JordanNovember 4, 1992

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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