Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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Finally getting around to Jorge Gracia’s Theory of Textuality . It’s got a lot of strengths. Gracia recognizes the strengths and weaknesses of various theories of textual meaning, and sensibly tests theories by their ability to explain our actual experience of texts. Postmodern diffusion can’t explain the fact of daily…
Considering the plural pronoun at the beginning of the Lord’s Prayer, Chrysostom says that it announces a moral and social revolution: “by this He at once takes away hatred, and quells pride, and casts out envy, and brings in the mother of all good things, even charity, and exterminates the…
Athenagoras condemns worship of the creation using a musical analogy ( A Plea for Christians ): “If therefore the world is an instrument in tune, and moving in well-measured time, I adore the Being who gave its harmony, and strikes its notes, and sings the accordant strain, and not the…
Gregory of Nyssa explains in On the Making of Man that the human body is like a musical instrument, designed for reason. This is itself a striking image, but Nyssa expounds on the analogy by looking at the specific contours of the human body. The passage reminds me of Leon…
Clement of Alexandria begins his Exhortation to the Heathen by reviewing various myths about music, and then introduces the gospel as God’s new song. By the time he’s done, he’s told the history of the world musically: “Behold the might of the new song! It has made men out of…
In his study of children’s literature ( Stars, Tigers, and the Shape of Words ), JH Prynne mounts a critique of Saussure designed to show that “the methodology of practical literary criticism habitually contradicts Saussure’s theory of language by assuming that acoustic or graphic properties of the sign do contribute…
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