Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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That’s Barthes not Barth. As in Roland. Prickett suggests that Barthes’ proclamation of the death of the author, his manumission of interpretation from the obsession with the limited, final, “secret” meaning, and his hope for a liberated “anti-theological” and “revolutionary” reading that refuses “to fix meaning” in fact opens the…
Poststructuralism likes to think itself radical, but Stephen Prickett (Words and the Word) points out that it excludes the possibility of novelty. Barthes says that a text is “a tissue of quotations drawn from the unnumerable centres of culture.” And Kristeva’s notion of intertextuality, on Prickett’s reading, encloses a text…
A few highlights from James Wood’s chapter on language in How Fiction Works . Early on, he mentions the “old modernist hope” that prose can be “as well written as poetry.” This will require readers and novelists to develop what Nietzsche called a “third ear”: “We have to read musically,…
Lewis remarks on the high difficulty of adverse criticism, noting that the difficulty lies partly in the fact that the defects of bad literature are found in good literature: “The novel before you is bad - a transparent compensatory fantasy projected by a poor, plain woman, erotically starving. Yes, but…
Lewis describes the process by which words that once expressed and aroused emotions by appealing to the imagination have been emptied of image-content and become purely emotional. “Damn you” used to be a real curse, because people believed in damnation. Now that fewer do, it’s a more or less purely…
In Lewis’s defense, he is trying to explain some of the limits of language, which are worth noting (this in the last chapter of Studies in Words ). One limitation has to do with language’s inability “to inform us about complex physical shapes and movements. Hence descriptions of such things…
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