Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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A pure heart is one that is not contaminated by base motives. It is a undivided heart. 50,000 of the sons of Zebulun were in David’s army, and they “could draw up in battle formation with all kinds of weapons of war and helped David with an undivided heart” (1…
Samuel Johnson says that “all appropriated terms of art should be sunk in general expressions, because poetry is to speak a general language.” Barfield disagrees: “Johnson was hopelessly wrong.” What poets do above all is express things in terms that are not general: “They express, as nearly as any word…
Barfield thinks it’s disastrous to oppose poetry and science “as two fundamentally opposite modes of experiencing Life.” Among other things, it spoils art: “For it leads straight to that Crocean conception of art as meaningless emotion - as personal emotion symbolized - which is so poisonous in its charter to…
Barfield responds to critics who charge that his attention to individual words “is a precious and dilettante kind of criticism.” He says “the reverse is the truth” and further argues that “Words whose meanings are relatively fixed and established, words which can be defined - words, that is, which are…
Guy de Maupassant says, “Les mots ont une ame . . . . Il faut trouver cette ame qui apparait au contact d’autres mots” (Words have a soul . . . . It is necessary to find this soul which appears at contact with other words). Owen Barfield, who quotes…
Hamann opposed the abstractionism of the Enlightenment partly by emphasizing the centrality of sexuality in language, experience, and thought. He called himself a “spermatologist” in the sense that he was sowing seeds and in the sense that the thought of the relation of revelation and reason in sexual terms: “our…
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