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Art

The Second Word V: On Images and Art, Part 3

The Failure of the Church Yet a third factor played an important role in this historical development, in addition to the imperial adoption of icons and the rise of the icons of the holy man. Brown writes: "The great Christian basilicas of the previous centuries tended to stand empty, except…

by James B. JordanSeptember 4, 1998
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Biblical Horizons

Patriarchal Dominion

The three large patriarchal narratives of Genesis concern the three aspects of the cosmos: matter, space, and time. Over these three is man given dominion. Lucifer was originally appointed to train man in this dominion, but he chose to lead man into rebellion instead. Thus, the Angel of Yahweh replaced…

by James B. JordanAugust 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 6

Part 6: Living in a Dying World (continued) The "Trivium" (continued) The five stages of education are simply the five stages of the covenant as God administers it in human life and history, and in the liturgy of covenant renewal: First, God announces Himself. "I am Yahweh Your God." He…

by James B. JordanAugust 4, 1998
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Biblical Studies

Re-creation in the Ascension Offering

The following essay is tentative and exploratory, offered for your consideration. It seems to me that the ritual of the Ascension Offering (incorrectly translated as Burnt Offering) of Leviticus 1 is a symbolic recapitulation of Genesis 1, which thereby portrays the sacrificial ritual as way of moving from a fallen…

by James B. JordanJuly 4, 1998
Biblical Horizons

The Framework Hypothesis: A Gnostic Heresy

Just as the vast majority of evangelical Christians in America today are Arminian and Baptist, so the vast majority do not believe in a creation around 4000 BC. I don’t expect any of these three situations to change anytime soon. Powerful presuppositions are at work in all three instances, along…

by James B. JordanJuly 4, 1998
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Art

The Second Word V: On Images and Art, Part 2

The Iconoclastic Controversy Continuing Pagan Influence How did images creep in? To begin with, there was in the post-Constantinian Church a concerted effort on the part of the semi-pagans to interpret Christianity in essentially pantheistic terms. The heretics put God and man on a continuum of "being," so that God…

by James B. JordanJuly 4, 1998

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Eucharistic meditation

Matthew 15:27: She said, Yes, Lord; but even the dogs feed on the crumbs which fall from their masters’ table. We don’t belong at this table. I’m not referring here to the fact that we are all sinners who aren’t worthy to be considered our Lord’s table companions. That’s true,…

July 6, 2008

Baptismal meditation

Matthew 15:22: A Canaanite woman came out from that region, and began to cry out, saying, Have mercy on me, O Lord, Son of David; my daughter is cruelly demon-possessed. What is baptism? What is it for? Why do we baptize infants? There are many answers to that, and throughout…

July 6, 2008

Worship service

In Matthew 15:29-31, Jesus moves back from the region of Tyre and Sidon to the sea of Galilee. He goes on a mountain and sits down. He has been on mountains a number of times already to do various things. Most recently, he ascended to a mountain to pray as…

July 5, 2008

Proverbs 22:8-16

PROVERBS 22:8 Solomon uses agricultural imagery to describe realities of life. Like Paul and Jesus, he says that we reap as we sow. Our actions are always a kind of planting. We are always sowing seed that will come to fruition later on. If we sow righteousness, we will reap…

July 3, 2008

Defending the incarnation?

The iconodules staked their argument on the incarnation, but Besancon notices that after the iconoclast controversy, figures in icons became less carnal rather than more: “In the few primitive icons, which come for the most part from Egypt . . . , Christ or the saints have stocky, thick-set, vigorous,…

July 2, 2008
Art

Reverse perspective

In his history of iconoclasm ( The Forbidden Image ), Alain Besancon describes some of the artistic features of Russian iconography: “Nature is stylized in such a way that trees, rocks, and houses defy gravity. The buildings are not represented within a unified space: each floats in its own perspective.…

July 2, 2008

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