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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

Entropy and Depravity

What do you think of the way "creation science" uses the "second law of thermodynamics" to argue that human society will become more and more depraved, and that the universe is running down? Creation Science is not monolithic, and so it would be unfair to say that everyone working in…

by James B. JordanOctober 24, 1992
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Deuteronomy

The Firstborn Son’s Double Portion

From time to time we receive questions that are interesting, and that other people would also be interested in. I'll [address] two such questions in this issue [and the next]. I recently made a will which, in the event that my wife does not survive me, grants my eldest son…

by James B. JordanOctober 24, 1992
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Biblical Studies

Meredith G. Kline and the Myth of the Old Testament

As we go from Old Testament chronology to New Testament chronology, it will be a good idea to examine a deep-seated myth that is profoundly intertwined with Biblical Christianity. I have in mind the myth that there is in the Bible such a thing as a collection of books called…

by James B. JordanOctober 24, 1992
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Biblical Studies

Umberto Cassuto and the Documentary Hypothesis

Several years ago, the Wall Street Journal gave prominent recognition to a book called Who Wrote the Bible? The book was a popularization of the famous "Documentary Hypothesis," which claims that the Pentateuch was not the work of Moses, but was a (rather incompetent) pastiche of contradictory sources written much…

by Peter LeithartSeptember 17, 1992
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James

Creation Symbolism in the Epistle of James

The epistle of James has long presented dificulties for New Testament scholars. Its seemingly moralistic tone, its apparent inattention to theological concerns, its defense of "justification by works" all have made it dificult for interpreters to discern its compatibility with other New Testament books. Luther’s dismissal of James as an…

by Peter LeithartSeptember 17, 1992
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Leviticus

The Lamb of God, (Part 2)

Why the Lamb? But why the lamb? We have seen that the bull was the offering for the sins of priests, especially as they represented the nation before God in His house. Wasn’t Christ the greatest of all men? Wasn’t He the Great High Priest? Should He not rather be…

by James B. JordanAugust 24, 1992

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Eucharistic meditation

Matthew 15:27: She said, Yes, Lord; but even the dogs feed on the crumbs which fall from their masters’ table. We don’t belong at this table. I’m not referring here to the fact that we are all sinners who aren’t worthy to be considered our Lord’s table companions. That’s true,…

July 6, 2008

Baptismal meditation

Matthew 15:22: A Canaanite woman came out from that region, and began to cry out, saying, Have mercy on me, O Lord, Son of David; my daughter is cruelly demon-possessed. What is baptism? What is it for? Why do we baptize infants? There are many answers to that, and throughout…

July 6, 2008

Worship service

In Matthew 15:29-31, Jesus moves back from the region of Tyre and Sidon to the sea of Galilee. He goes on a mountain and sits down. He has been on mountains a number of times already to do various things. Most recently, he ascended to a mountain to pray as…

July 5, 2008

Proverbs 22:8-16

PROVERBS 22:8 Solomon uses agricultural imagery to describe realities of life. Like Paul and Jesus, he says that we reap as we sow. Our actions are always a kind of planting. We are always sowing seed that will come to fruition later on. If we sow righteousness, we will reap…

July 3, 2008

Defending the incarnation?

The iconodules staked their argument on the incarnation, but Besancon notices that after the iconoclast controversy, figures in icons became less carnal rather than more: “In the few primitive icons, which come for the most part from Egypt . . . , Christ or the saints have stocky, thick-set, vigorous,…

July 2, 2008
Art

Reverse perspective

In his history of iconoclasm ( The Forbidden Image ), Alain Besancon describes some of the artistic features of Russian iconography: “Nature is stylized in such a way that trees, rocks, and houses defy gravity. The buildings are not represented within a unified space: each floats in its own perspective.…

July 2, 2008

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