Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jamie Soles is the reason I know my way around a guitar. When my guitar teacher put the sheet music for Eine Kleine Nachtmusick in my fourteen-year-old hands, I balked. He gave me “Foggy Mountain Breakdown.” I learned half of it. At home, I ignored my teacher’s instructions and tugged…
This is a tough era for mothers. Regard for mothers, while it is always booming in some circles, is decidedly lacking in the prevailing winds of the milieu. In high demand by contrast is contribution to the work force, being a consumer, and basic economic survival, often as a solitary…
After the dark quiet of the year’s beginning, I return now to pick up the threads of my reflection on integration. This is my own personal inquiry, and for me it is no academic exercise but rather the forefront of my personal quest for the real. My hope is that…
The chiastic structure of The Hobbit we considered in the previous essay is highly suggestive of what might lie in store for The Lord of the Rings saga. It is undoubtedly the case that J. R. R. Tolkien was a literary craftsman. It may even be the case he is…
Structure plays an important part of any literary work, whether poetry or prose. It adds to the beauty and depth of the work and allows insight to be gained about what the author is trying to communicate. The question that concerns us here is whether or not there exists an…
Can we learn to communicate from an outside intelligence? Spoiler Alert! If you have not yet seen the movie, this article may provide you with a great deal more information than you wished to know at this point. Since the 1999 film The Matrix received careful scrutiny on many fronts…
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A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus is the new Solomon, the…
Stapert points out that in the same motet, Bach breaks off the last part of Isaiah 43:1 (du bist mein -you are mine) when the verse is first introduced. He saves is “until the point where he could introduce them as part of a brief dialogue during the chorale/fugue.” “Dialogue”…
The second half of Bach’s motet “Furchte dich nicht” (“Fear you not”) consists of a Paul Gerhardt chorale, sung over a fugue drawn from Isaiah 43:1. The fugue repeats its subject - ich habe dich erloset, “I have you redeemed” - 33 times. The Redeemer is associated with the number…
Victor Zuckerkandl contrasts post-polyphonic Western music with Gregorian chant. In both there are longer and shorter tones in a succession in time. But in “our music,” another layer is added: “the succession also gives rise to the metrical wave, whose uniform pulsation is perceptible through all the changes of the…
Jesus’ parable of the treasure in the field looks straightforward: It’s about the value of the kingdom (Matthew 13:44). When we probe the behavior of the man in the parable, and the implied behavior of the seller, we find there are more intriguing things going on. Commentators commonly question the…
For the next several weeks, the Christian Century is publishing brief lectionary essays of mine on its blog. You can find a meditation on the readings for June 1 here: http://www.theolog.org/blog/2008/05/blogging-towa-3.html.
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