Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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Margaret Garber points out that Arden, the name of the forest in As You Like It , is also the maiden name of Shakespeare’s mother, “so it is arguable that some nostalgia for childhood would double the geographical place with a psychological, or at least a remembered, place of ideal…
Rusty Reno’s discussion of nature and grace ( The Ordinary Transformed ) is not so satisfying as Jenson’s. Reno says that theology’s challenge is to explain the real relationship between nature and grace without detaching them or conflating them. Too intimate a relationship “implies a partnership between the ordinary and…
In the second volume of his systematic theology, Robert Jenson summarizes and critiques de Lubac’s theology of nature and grace. He agrees with de Lubac’s conclusion that the supernatural is not owed to nature because “the reverse in the case.” Quoting de lubac: “Nature . . . owes itself to…
Ward quotes Rosalind’s line, “Say a day, without the ever,” and asks, “Did Shakespeare know he had used all five vowels, and with such symmetrical elegance that the first two, appearing three times each, neatly surround the remaining three in correct order within: a-a-a-i-o-u-e-e-e?” He suspects not, but then observes…
AL Rowse counted some 25 references to the Cain and Abel story in Shakespeare’s plays. As You Like It has two - Duke Senior and Frederick, Oliver and Orlando. And there’s Hamlet Sr and Claudius, Edgar and Edmund, Prospero and his usurping brother. Not to mention all the brother-like rivalries…
In his introduction to As You Like It , John Powell Ward free associates on the Forest of Arden, to good effect: “Arden, garden, Garden of Eden (and Adam), ardent, Mary Arden, Arden in Warwickshire, the Ardennes in France - there are many leads into what is suggested. Despite the…
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