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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Studies

Tweets-turned-Notes on the Bible’s Chronology

Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…

by James BejonJuly 16, 2019
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Luke

Perspectives on the Prodigal, (Part 2)

In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…

by Ralph Allan SmithJuly 11, 2019
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Luke

Perspectives on the Prodigal, (Part 1)

The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…

by Ralph Allan SmithJuly 9, 2019
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Luke

Lazarus and the Rich Man

The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…

by Ralph Allan SmithJuly 4, 2019
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Luke

Everybody has Dropsy - Luke 14:1-24

The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…

by Ralph Allan SmithJuly 2, 2019
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Biblical Theology

Fruit Trees and Grain Plants

The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…

by James B. JordanJune 27, 2019

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Doing Ahab

Micah condemns the people of Judah for following the ways of Omri and Ahab. We know from Kings that this is precisely what Judah has been doing. Within Micah 6, though, there is a sharp pun. Verse 16 condemns Judah for doing the works of the house of Ahab, while…

January 9, 2008

Good for Adam

Faced with the indictment from the prophet Micah, Israel asks what it can do to pacify a scarily angry Yahweh. No number of ascensions will do the trick: What Yahweh requires is justice, covenant loyalty, humility (Micah 6:6-8). The famous “Micah Mandate” is addressed to “man,” which translates adam .…

January 9, 2008

Sermon Outline, First After Epiphany

INTRODUCTION Micah continues his indictment of Israel and Israel’s leaders. But in chapter 6, he gives positive instruction. What God demands is what is good - justice, lovingkindness, and humility (v. 8). THE TEXT “Hear now what the LORD says: ‘Arise, plead your case before the mountains, and let the…

January 9, 2008
History

Modernism’s challenge

Gabriel Josipovici has a stimulating piece in the November 30 TLS arguing that the modernists pose an enduring challenge to contemporary culture, particularly the contemporary novel. Modernism, he suggests, began with the French Revolution, when it was declared that “everyone was equal now and everyone, in principle, had equal opportunities.…

January 4, 2008

Wedding Sermon

1 John 4:7-8: Beloved, let us love one another, for love is from God; and everyone who loves is born of God and knows God. The one who does not love does not know God, for God is love. Let us Pray Heavenly Father, You have eternally loved Your Son…

January 2, 2008
Art

Aesthetic Autonomy

Taruskin also gives a new summary of the artistic theory behind many of the lamentations of classical music’s collapse, which he traces from Mendelssohn through Kant to Schopenhaur and Adorno: “The main tenet of the creed is the defense of the autonomy of the human subject as manifested in art…

January 1, 2008

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