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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Eucharistic meditation, Third Advent

Micah 3: Hear now, O heads of Jacob, and you rulers of the house of Israel: Is it not for you to know justice? You who hate good and love evil; who strip the skin from My people, and the flesh from their bones; who also eat the flesh of…

December 16, 2007

Exhortation, Third Advent

Doctrine matters, and no doctrine matters more than the doctrines concerning Jesus Christ. One of the earliest and most intense controversies in the early church had to do with Arianism. Arius taught that the Son of God was not equal to the Father, not eternal God, but only a very…

December 16, 2007
Music

Wedding sermon

I am reading a portion of the text from 2 Corinthians 4. We have this treasure in earthen vessels, so that the surpassing greatness of the power will be of God and not from ourselves; we are afflicted in every way, but not crushed; perplexed, but not despairing; persecuted, but…

December 16, 2007
History

Hunger and power

In imitation of Mao’s “Great Leap Forward,” the Cambodian tyrant Pol Pot attempted to rationalize the inefficiencies of Cambodian agriculture. In an essay in the Black Book of Communism , Jean-Louis Margolin writes: “It was perhaps the sons of the soil who controlled operations on the ground, but their real…

December 15, 2007
Music

Savant

In his wonderful Musicophilia , Oliver Sacks describes a patient named Martin, who suffered meningitis at the age of three and was never mentally normal afterwards. He spent hours listening to operas and by the time Sacks met him in 1984, he claimed to have more than 2000 operates memorized,…

December 14, 2007
Music

Concert gnostics

In many cultures, music and dance go naturally together. Music moves the body, and so bodies move to the music. Not ours, or at least not in “high culture.” Patrick Shove writes, “Many twentieth-century composers focus on sound qualities or abstract tonal patterns, and performers of their compositions often neglect…

December 14, 2007

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