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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Church Calendar

The Good Friday Paradise Party

I grew up in the 1950s. This was before the "Sixties" and the democratization, informalization, and general cheapening of the church and her worship. Ministers were Father Donovan, Pastor Eckhart, Reverend MacPherson, Mister (Episcopal) Parker, and Brother Smith. Liturgical speech was high language, sounding kind of like the King James…

by James B. JordanMarch 25, 2016
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Hermeneutics

A Musical Case for Typological Realism, (Part 1)

Metaphor exerts a surprisingly powerful influence within our thinking. Although it is easily dismissed as little more than a figure of speech, when we attend more closely to the ways in which we use it, metaphor’s importance swiftly becomes more apparent. Although many of our metaphors have become quite invisible…

by Alastair RobertsMarch 24, 2016
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Creation

True Science

What is a tree, scientifically speaking? A mere googling gives the following answer: “a woody perennial plant, typically having a single stem or trunk growing to a considerable height and bearing lateral branches at some distance from the ground.” We can increase detail by describing its family, genus, species and…

by Remy WilkinsMarch 22, 2016
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Church Calendar

Food for Thought from Ethiopia

The majority of Western evangelical Christians rarely, if ever, fast as a form of spiritual discipline. In our culture, fasting is more connected with dieting than worship, the other side of our deeply ambiguous fascination with food. Food is everywhere. We eat more than ever before, at greater speed, and…

by Sam BusseyMarch 17, 2016
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Biblical Theology

What is Systematic Typology? – Part Two

A Grammar of Creation An understanding of the visual-musical language of the Bible must begin with Genesis 1. This is fortunate, because when explaining biblical types to academics, as opposed to children, one is repeatedly forced to start from scratch. From birth, a healthy child is attuned to rhythm and…

by Mike BullMarch 15, 2016
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Art

Wall-E and the New Creation

In an inverse Eden, a land laid waste, one works alone tending the trash. There are none like him in all the earth, inquisitive, playful and most drawn to those mysterious, dancing bipedal creatures who lost earth and left it to go wandering the vast wilderness of space. Humans have…

by Remy WilkinsMarch 10, 2016

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That Serpent the Devil

At the same SBL seminar, Rusty Reno examined Genesis 3:1, following the traditional interpretation that the serpent is a disguise for the devil. He dealt with the larger pattern of biblical evidence first, showing that the Bible links the devil and the serpent, and links the devil to acts of…

November 19, 2007

The First Sin

J. Richard Middleton gave an intriguing paper on Genesis 2-3 at an SBL seminar on the theological interpretation of Scripture. He was trying to answer the question of the nature of the first sin, and concluded that the first sin, which led to a proliferation of sin in succeeding generations,…

November 19, 2007
History

Celebrity

An article in the current issue of Sociological Theory explores the status-hierarchy created by celebrity, a kind of status ignored by Weber in his treatment of status in capitalist societies. The abstract says, “Max Weber’s fragmentary writings on social status suggest that differentiation on this basis should disappear as capitalism…

November 17, 2007
Politics

Obama’s faith

In the December issue of The Atlantic , Andrew Sullivan describes Barak Obama’s conversion. In an interview with Sullivan, Obama said, “I didn’t have an epiphany. What I really did was to take a set of values or ideals that were first instilled in my from my mother, who was,…

November 17, 2007
Politics

Obama’s faith

In the December issue of The Atlantic , Andrew Sullivan describes Barak Obama’s conversion. In an interview with Sullivan, Obama said, “I didn’t have an epiphany. What I really did was to take a set of values or ideals that were first instilled in my from my mother, who was,…

November 17, 2007
Literature

The Gaze

David Bevington points out in his performance history of Shakespeare that in both Measure for Measure and The Tempest , the villainous characters are those that attempt to elude the all-seeing surveillance of the Duke and Prospero. Villains are particularly villainous when they think they can do evil without detection.

November 17, 2007

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