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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Galatians

Getting the Galatian Heresy Right

Misunderstanding “Galatianism” has caused several problems in the Reformed church. Because circumcision is at issue in the Galatian epistle, some have fallen into thinking that ritual per se, rather than anything uniquely Mosaic or Jewish, is the object of Paul’s critique. Likewise, his polemic against “works of the law” is…

by Rich LuskJune 6, 2003
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Romans

Jewish Rejection of the Gospel

Many texts in the NT become more perspicuous if we keep in mind the possibility — and indeed ubiquity — of Gentile God-fearers in the Old Covenant. After the special covenant with Israel is set up, Gentiles are not altogether excluded from the hope of salvation. Israel’s special status in…

by Rich LuskJune 6, 2003
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Ephesians

An X-File

I was once trying to get a sermon out of Ephesians 1.12-14 and it seemed obvious that I should look for two parallel statements both ending with the phrase, “to the praise of his glory.” Paul here begins talking about two groups of people (“you” and “we”), and he later…

by Mark HorneJune 5, 2003
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New Perspective on Paul

The PCA and the New Perspective on Paul

WHY A DENOMINATION WITH SOUTHERN PRESBYTERIAN ROOTS SHOULD CAREFULLY CONSIDER THE “NEW PERSPECTIVE ON PAUL” In my denomination, the PCA, we are continually haunted by the sins of our racist Southern past. It has become an annual rite at General Assembly for the issue to be addressed one way or…

by Rich LuskJune 5, 2003
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Justification

The Centrality of Justification

Recent debates over whether or not, “justification is central” to Paul’s theology have reminded me of a sermon I once heard by a Presbyterian seminary student. This African American student challenged his audience on the sin of racism and the ways it might manifest itself among us. Like any good…

by Mark HorneJune 5, 2003
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Ecclesiology

Charles Hodge’s Deficient Idea of the Church

In Charles Hodge’s 1853 article, “Idea of the Church,” his stated aim is to analyze the idea of the Church proposed in the Apostles’ Creed, in which, “the Church is declared to be “the Communion of the Saints.” He writes: The conception of the Church as the communion of saints…

by Mark HorneJune 5, 2003

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Day of Midian

Isaiah 9 describes not only a dawn, but the dawn of victory. With the light comes a multiplication of the nation, a repopulation of the land, gladness like the gladness of harvest (v. 3). This gladness is the result of a deliverance, a new exodus that will deliver Israel from…

August 11, 2007

Dawn and darkness

Matthew says that Jesus’ residence in Capernaum fulfills the prophecy of Isaiah 9 about the dawning in the land of Zebulun and Naphtali. There are several aspects to this. 1) Isaiah 9 comes at the end of a prophecy concerning the Aramean crisis in Judah. Rezin of Aram and Pekah…

August 11, 2007

Promise of Zebulun

It’s no wonder that the land of Zebulun and Naphtali, the region of Galilee, was considered a place of darkness. Towns had been sold to the Gentile Hiram, and apparently pronounced worthless (1 Kings 9). This region was the first to go into exile (2 Kings 15:29), and the Assyrians…

August 11, 2007
Literature

Austen the Romantic?

Though Austen lived almost two decades into the nineteenth century, she is usually characterized as a writer of the eighteenth. Her aesthetic and tastes were set in stone by 1800 (when she was 25), and she was untouched by romanticism. Indeed, she is often read as an anti-Romantic writer. The…

August 11, 2007
Literature

Austen the Abolitionist?

Gabrielle White offers an abolitionist reading of Austen’s work, and of Emma specifically. Part of the evidence is circumstantial. Some of Austen’s best-loved writers favored not only the abolition of the slave trade (which happened in 1807) but also the abolition of chattel slavery in British colonies (which didn’t happen…

August 11, 2007

Darcy and Elizabeth

Ellen Belton points out that in the 1995 BBC production of Pride and Prejudice , “Elizabeth and Darcy (Colin Firth) are hardly ever frames together until well into the second half of the film, and when they are shown in the same shot, the effect is to emphasize the obstacles…

August 11, 2007

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