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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Day of Midian

Isaiah 9 describes not only a dawn, but the dawn of victory. With the light comes a multiplication of the nation, a repopulation of the land, gladness like the gladness of harvest (v. 3). This gladness is the result of a deliverance, a new exodus that will deliver Israel from…

August 11, 2007

Dawn and darkness

Matthew says that Jesus’ residence in Capernaum fulfills the prophecy of Isaiah 9 about the dawning in the land of Zebulun and Naphtali. There are several aspects to this. 1) Isaiah 9 comes at the end of a prophecy concerning the Aramean crisis in Judah. Rezin of Aram and Pekah…

August 11, 2007

Promise of Zebulun

It’s no wonder that the land of Zebulun and Naphtali, the region of Galilee, was considered a place of darkness. Towns had been sold to the Gentile Hiram, and apparently pronounced worthless (1 Kings 9). This region was the first to go into exile (2 Kings 15:29), and the Assyrians…

August 11, 2007
Literature

Austen the Romantic?

Though Austen lived almost two decades into the nineteenth century, she is usually characterized as a writer of the eighteenth. Her aesthetic and tastes were set in stone by 1800 (when she was 25), and she was untouched by romanticism. Indeed, she is often read as an anti-Romantic writer. The…

August 11, 2007
Literature

Austen the Abolitionist?

Gabrielle White offers an abolitionist reading of Austen’s work, and of Emma specifically. Part of the evidence is circumstantial. Some of Austen’s best-loved writers favored not only the abolition of the slave trade (which happened in 1807) but also the abolition of chattel slavery in British colonies (which didn’t happen…

August 11, 2007

Darcy and Elizabeth

Ellen Belton points out that in the 1995 BBC production of Pride and Prejudice , “Elizabeth and Darcy (Colin Firth) are hardly ever frames together until well into the second half of the film, and when they are shown in the same shot, the effect is to emphasize the obstacles…

August 11, 2007

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