Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…
Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…
In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…
The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…
Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…
Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…
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JS Lawry says that Emma insults Miss Bates in an effort to liven up a dull party: “Like a virtuoso, she takes care that her art be equal to its occasions – but no more. Later, when a party seems dull, she will be brought to insult Miss Bates precisely…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
Rousseau is not the only source of sentimentality in novels, the literature of sensibility. There are English resources, such as the free prayer tradition, which made spontaneity the test of sincerity. But Rousseau is one of the sources of this stylistic strategy, and a source that Austen would likely have…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
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