Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The 666 talents of gold are worth an awful lot, not just in terms of money but in terms of theological meaning–at least worth a lot more than most modern Evangelical commentators would think. In Revelation 13:18 we are told that the number of the beast is a number “of…
There is a debate going on between professing Bible-believers about the meaning of Genesis One and the six "days" recorded therein. Is the cosmos about six thousand years old or is it many billions of years old? Was the universe six days old when human life came into existence or…
Understanding John the Baptist in Light of Biblical Theology Anyone who has read Geerhardus Vos’ Biblical Theology cannot help but recognize its immense value to those wanting to better understand Scripture. Nevertheless, we would dishonor Vos if we did not seek to go beyond him once he has placed us…
John Chrysostom’s Commitment, Communication, & Conception of the Pastoral Office (Completed in December 5, 1996, in fulfillment of the requirements for the J. R. Wilson Preaching lectures delivered by Dr. Robert S. Rayburn) In Antioch and then in Constantinople, John Chrysostom grew in wisdom and stature with men and God…
This kind of language is revelatory in a particular way, different from ordinary language. It reveals man as the image of God, as the ruler of creation, as having authority over other persons in various ways, etc. It is the particular kind of language used by rulers as they rule,…
We continue our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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