Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
References to the Son of Man coming on the clouds occur five times in the Synoptic Gospels. Three times such expressions appear in the parallel accounts of the Olivet Discourse (Matthew 24:30; Mark 13:36; Luke 21:27). Then, in parallel accounts of Jesus’ trial before the leaders of Israel, such expressions…
Just what the difference is in the work of the Holy Spirit in the Old Testament and the New Testament is a question not so easily answered. The distinction is often said to be that in the Old Testament the Holy Spirit is on the believer, but in the New…
1. Introduction You should think of 1917 at church on Sunday. Why? Let me explain. There's one film every Oscar season which everyone seems to have watched—your parents, your colleagues, even your pastor. This year, it's 1917— Sam Mendes' WW1 epic following two British Tommies on a seemingly impossible quest…
This piece was originally part of the Bowyer response to the Theopolis series surrounding Professor McDermott’s essay, “Rethinking Israel.” For the sake of brevity, it was removed from the initial response, to be published as a standalone piece. As we’ve argued previously , we are strongly supportive of the right…
Richard Bauckham’s groundbreaking work, Jesus and the Eyewitnesses: The Gospels as Eyewitness Testimony , is profoundly insightful, but the message of the book is hampered by the presupposition of Marcan priority. Ironically the place where this assumption perhaps does its most damage is in Bauckham’s discussion of the apostle Matthew…
The Protestant Reformation was defined by certain clarifying disagreements between the medieval Church and those who came to be known as Protestant Reformers. Chief among these was the nature of justification: whether one was justified by works, or by faith and works, or—as Martin Luther contended—by faith alone. Now over…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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