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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Books

Interpreting "The Man Who Was Thursday"

I just finished re-reading G. K. Chesterton’s The Man Who Was Thursday . I have in the past had the temerity to say that I believe it to be the best novel of the 20th century. Be that as it may, I still maintain that it is at least one…

by Richard BledsoeJanuary 7, 2022
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Hebrews

The Universality of Mary’s Wound

And Simeon blessed them and said to Mary his mother, “Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against and a sword will pierce through your own soul also, that thoughts out of many hearts may be…

by Garrett SoucyJanuary 4, 2022
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Music

An Argument for Heartier Hymnals

I was inspired to write this article after reading John Ahern’s The Case for Shorter Hymnals first published on Theopolis Institute’s website on November 16, 2021. Mr. Ahern and I are writing with different audiences and emphases in mind. I am thankful we both share a mutual desire to see…

by Jarrod RicheyDecember 30, 2021
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Biblical Studies

Image of God

If you’ve spent any time in the social-media galaxy of Christian cultural commentators, you have almost definitely run across the Latin phrase Imago Dei . It means image of God . Why they usually say it in Latin, I couldn’t tell you. We saw it in the wake of the…

by Daniel HoffmanDecember 28, 2021
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Advent

He Comes to Make His Blessings Known: "Son of David" and "Son of Abraham" in Matthew 1:1

The Gospel of Matthew—indeed, the New Testament—begins with a list of names, and that list of names is introduced by this heading: “The book of the generations of Jesus Christ, the son of David, the son of Abraham.” Why start like this? Why “the son of David” and “the son…

by Josh JensenDecember 23, 2021
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Biblical Studies

On Not Needing to Cut the Baby in Half

A blade is raised. A child wails. But the brow under the crown is untroubled. Solomon knows that the raising of the sword will reveal the true parent and the identity of the son. But how did he know this? Abraham’s willingness to sacrifice Isaac certainly bears some of the…

by Jonathan WhiteDecember 21, 2021

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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