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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Jerusalem, Jerusalem

Jerusalem is named 13x in Matthew’s gospel, the last of them in 23:37 where the name is doubled in Jesus’ lament (the city’s name is spelled differently in 23:37). Both at the beginning and end, Jerusalem is troubled by the coming of Jesus: All Jerusalem is upset with Herod at…

June 29, 2006

Reject Disciples, Reject Jesus

Matthew mentions Sodom three times - in 10:15 and twice in 11:23-24. In the second, He says that the cities that have refused to repent when He did miracles will be judged more harshly than Sodom; in the first, He says that those who reject His disciples will be subject…

June 29, 2006
Literature

Updike’s Terrorist

James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but when…

June 29, 2006
Literature

Updike’s Terrorist

James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but when…

June 29, 2006

Rabbi Jesus?

It’s a commonplace of liberal theology that Jesus is a great teacher, but no more. Jesus is certainly a teacher in Matthew’s gospel, but David Bauer points out that the only people who call him rabbi are strangers or opponents (8:19; 12:38). Oh, yes, and Judas (26:25, 49). Disciples, those…

June 29, 2006
Literature

Disguise

Louis Dupre writes, “Shakespeare’s comedies, the accomplished masterpieces of this playful oscillation [between appearance and reality], leave the viewer utterly confused about what must count as real and what as illusion. The theatre here parodies a real-life fear of deception concerning the true nature of the outside world. The constantly…

June 28, 2006

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