Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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C hristian often focus on the intense physical suffering Jesus endured on the cross. During crucifixion, a victim’s body was torn with nails and his limbs stretched, as he slowly suffocated. Think of Matthias Grunewald’s angular, contorted Jesus. The gospel writers pay little attention to Jesus’ pain. They understood that…
F rom the cross, Jesus cries, “ Eli, Eli, lama sabachthani !” “My God, my God, why have you forsaken me?” It’s from Psalm 22, but the Jews say He’s calling for Elijah. Are they so dull they can no longer recognize Scripture? More likely, they mean it in mockery.…
R ichard Sorabji observes ( Time, Creation, and the Continuum ) that there have been disputes among philosophers concerning the goodness of philosophical perplexity. Wittgenstein compared it to a fly trapped in a bottle, which suggests “it would have been better . . . never to have suffered perplexity at…
K arol Berger ( Bach's Cycle, Mozart's Arrow ) sets out to reassess what we mean by “modernity” in music. For Berger, that involves discovering a caesura somewhere between Bach and Mozart. They are not, he argues, to be considered part of a continuous tradition of classical music; rather, they…
O liver O'Donovan ( Desire of Nations , 262-3) points to the difficulty in the concept of equality. A purely formal doctrine is uninteresting and thin. A theory of equality must be capable of posing a challenge to “alleged distinctions which may be supposed to justify differences in the way…
W ise words concerning shifts in Christian teaching on the family from Oliver O'Donovan ( Desire of Nations , 266-7). He points out that Jesus' teaching on the family is mainly critical, assaulting the family's “claims to religious and social loyalty.” The apostles “re-envisage” the family “in a manner appropriate…
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