Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Evangelistic Message to the Uninformed: 1 Timothy 3.14-16 Even though this is written as a sermon for delivery, and even though it was preached in a homiletics class, I decided I can’t post it as a sermon because it was not truly preached at a place where nonchristians wanted to…
If we only read the Gospels of Mark and Luke, we might get the impression that Jesus’ ascension was on resurrection Sunday. Matthew speaks of going to Galilee but he does not put things into a clear time frame. John shows us that Jesus appeared to the disciples eight days…
The most cursory glance at the history of Western literature reveals that it has been deeply influenced by the Bible. Some of the greatest classics of Western literature draw their plots, characters, and ideas largely from Scripture; Dante’s Divine Comedy and Milton’s Paradise Lost are two of the most notable…
Few themes emerge as profoundly and persistently in the streams of biblical narrative as the conflict between light and darkness, and the juxtaposition of humanity with monstrosity. These themes not only weave through the fabric of Scripture, emerging in stories from Genesis to Revelation, but also stitch together the human…
In John Wenham’s work, Easter Enigma , he devotes an entire chapter to Mary Magdalene, which is rephrased and summarized here. 1 One of the interesting things that Wenham said was that Mary Magdalene was the second “most favored woman in the Bible.” 2 He adds, “Yet apart from a…
God made man to live in a larger relational context, and even in high rebellion, man cannot escape his created nature. Instead, that nature takes revenge on rebellious man. Autonomous and alone, the self craves absolution but recognizes no authority that might give it; it thirsts for glory but rejects…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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