Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the November 1993 issue of Open Book Peter Leithart commented briefly on gnosticism. The film 2001 is a great specimen of gnosticism, and is worth viewing as a Sunday School project for an adult class. The author of the basic story was Arthur C. Clarke, an old-school science fiction…
Alfred Hitchcock’s earlier movies display a strongly moral, even Christian, point of view, and certainly can be enjoyed by Christian viewers. His later works, such as Psycho , The Birds , and his television series, are not as clearly moral in tone. In these later efforts, Hitchcock brought humorous or…
“What art thou, thou idol ceremony?” asked Henry V during his midnight rounds of the English camp near Agincourt. His answer was that ceremony was both nothing and everything. It was nothing in the sense that it offered no guarantee that the king would be fit for office. Contrary to…
You, however, continue in the things you have learned and become convinced of, knowing from whom you have learned them; and that from childhood you have known the sacred writings which are able to give you the wisdom that leads to salvation through faith which is in Christ Jesus. All…
My research has led me to the conviction that there are three major periods of Biblical history, which lead to a fourth. These are the Ages of the Father, the Word, and the Spirit. The First Age, that of the Father, is recorded in the book of Genesis. It focuses…
Both Bible history and the current consensus chronology of the ancient world are tied up intimately with Egyptian history and chronology. Thus, as we broaden Biblical Chronology beyond the matter of adding up numbers and try to integrate Biblical chronology with the ancient world, the place to start would seem…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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