Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Over the past few days, quite the event has developed at Asbury University down in Wilmore, Kentucky. University students have appeared at the Hughes Auditorium to worship and sing praises to God, which has continued for over 90 hours at the time of this writing. There is recent reporting that…
It is well-enough known that Nero was emperor from AD 54 when he was just 16 until his death as a young man of 30 in AD 68, just 14 years later. Paul ministered during most of those 14 years (we are not sure which year he died), accomplishing 3…
When the apostle Paul says, “For me to live is Christ!” (Philippians 1:21), we do not find it difficult to understand. Paul had been a faithful servant of Christ from the time that Christ confronted him on the road to Damascus (AD 30) and through Ananias told Paul that he…
I think there’s a layer to the Song of Songs which has been largely unexamined. The Song is about Christ and his church, Yahweh and Israel, the nature of the marriage covenant, and the marriage of the couple in the Song. But while the Song is “of Solomon” (or to…
In Philippians 1:12-13, Paul informs his beloved brothers in Philippi that his Roman imprisonment — which one would naturally think hindered his ministry and the preaching of the Gospel — actually resulted in the surprising and wonderful progress of the Gospel. Of course, from our perspective 2000 years later and…
In a recent post , I explored the threefold order of creation—heavens, earth, and sea—and suggested that in Genesis 1 God stamps heaven’s order, his own threefold nature, on the creation, giving earth a trinitarian shape. So what happens to the three-level architecture of creation after Genesis 1? We don’t…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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