Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…
Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…
Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…
We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…
Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…
Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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