Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theopolis is delighted to announce that we have hired Brian Moats as Assistant to President Peter Leithart. An Alabama native and graduate of Boyce College in Louisville, Brian is a professional photographer who has also worked as a salesman and dispatcher for Charter Communications and Wayne's Environmental Services. Brian and…
Over the last few years, I have had frequent cause to return to the question of the ways in which the past and its forms of liturgy should be handled within the Church today. Keeping faith with the past is seldom as straightforward an endeavour as it might initially appear,…
The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…
Prior to attending the week-long intensive course on Holistic Mission, my wife and I were living two counties away from Milwaukee, in the comfortably quiet and rural village of Slinger, Wisconsin. In God’s providence, after nearly ten years of living in Slinger, we realized some changes to our comfortable and…
I have many Roman Catholic friends. Leading from my time at Saint Louis University and continuing through various scholarly engagements I often get an opportunity to discuss history and theology with Roman Catholics who are very well educated in their tradition and practice, some of whom are leading scholars in…
Theopolis ended its second year of operation with its Pentecost Term course on Music in Life and Liturgy last week. Co-taught by Ken Myers of Mars Hill Audio and scholar-in-residence James Jordan, the Music course was the largest Theopolis course yet. Sixteen pastors, seminary students, and music ministers from nine…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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