Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Evangelistic Message to the Uninformed: 1 Timothy 3.14-16 Even though this is written as a sermon for delivery, and even though it was preached in a homiletics class, I decided I can’t post it as a sermon because it was not truly preached at a place where nonchristians wanted to…
If we only read the Gospels of Mark and Luke, we might get the impression that Jesus’ ascension was on resurrection Sunday. Matthew speaks of going to Galilee but he does not put things into a clear time frame. John shows us that Jesus appeared to the disciples eight days…
The most cursory glance at the history of Western literature reveals that it has been deeply influenced by the Bible. Some of the greatest classics of Western literature draw their plots, characters, and ideas largely from Scripture; Dante’s Divine Comedy and Milton’s Paradise Lost are two of the most notable…
Few themes emerge as profoundly and persistently in the streams of biblical narrative as the conflict between light and darkness, and the juxtaposition of humanity with monstrosity. These themes not only weave through the fabric of Scripture, emerging in stories from Genesis to Revelation, but also stitch together the human…
In John Wenham’s work, Easter Enigma , he devotes an entire chapter to Mary Magdalene, which is rephrased and summarized here. 1 One of the interesting things that Wenham said was that Mary Magdalene was the second “most favored woman in the Bible.” 2 He adds, “Yet apart from a…
God made man to live in a larger relational context, and even in high rebellion, man cannot escape his created nature. Instead, that nature takes revenge on rebellious man. Autonomous and alone, the self craves absolution but recognizes no authority that might give it; it thirsts for glory but rejects…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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