Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the 48th year, the third month, and the fourteenth night, while I slept in my bed, I was taken in vision to Xanadu and set upon a high hill. Looking to the west, I saw a large building, surrounded with gardens and fountains, walks and gravestones, and a bell…
‘Tis the season to be informed–sometimes in gentleness, often with vigor–by a variety of Christians (and others) 1 claiming that it is wrong to celebrate Christmas. I have no desire to force anyone to celebrate Christmas against their will. Indeed, it would be insulting to the high holiday to pretend…
Part 2: The Enoch Factor Back in Open Book 21 we discussed "The Enoch Factor." Because that was several years ago (May 1994) and many people have begun reading this letter since that time, we shall return to the subject here and expand what we wrote at that time. After…
Day 6. The sixth day provides the creation of land animals and of humanity. As we saw above, the second day spills over to the first half of the third day, for only at that point did God say that it was good. Similarly, it seems that the fifth day…
During the past two decades, the "quest of the historical Jesus" has entered a new phase. The first incarnation of the quest was rudely shaken by the publication of Albert Schweitzer’s classic Quest of the Historical Jesus , easily the most devastating and funniest work of New Testament scholarship ever…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
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K risten Thompson devotes several pages of her Apocalyptic Dread , a study of apocalyptic in contemporary film, analyzing Spielberg's 2005 remake of War of the Worlds . She points to the “film’s extensive references to 9/11 and terrorism as the new marker of dread in the twenty-first century.” She…
F elecia Wright McDuffie's To Our Bodies Turn We Then is a study of Donne's understanding of the body as “word and sacrament.” Drawing from Donne's poetry, sermons, and prose writing, she summarizes Donne's view of the human body as created, fallen, redeemed, and recreated. All along the way, McDuffie…
P utting “film noir ” and “musical” in the same sentence may seem absurd. If any film genre is sunlight and sentiment, seething with clappy optimism, it's the musical. And noir is something different. Sheri Biesen's Music in the Shadows shows that the two forms have cohabited for decades: “The…
W ho teaches your U.S.A. children how to choose their temple? What to love enough not to think two times?” These questions are posed in the broken English of Remy Maranthe, one of the Wheelchair Assassins who populate David Foster Wallace’s Infinite Jest . After Canada is forced into the…
C J Labuschagne points out in his Numerical Secrets of the Bible that “Exod 39:32–43 tells how the Tabernacle with all its equipment was presented to Moses, who inspected all the work and saw that the craftsmen had done their work according to the command of the Lord, and he…
C J Labuschagne ( Numerical Secrets of the Bible ) highlights the use of 11-fold literary patterns in the Pentateuch. The creation account, for instance, uses the formula “and God said” eleven times, concluding with the creation of Eve: “This coherence is found also in the eleventh divine utterance in…
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