Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
Showing page 3 of 309
Showing page 2 of 43
Norbert Elias’s The Civilizing Process traces modern standards of disgust and cleanliness to the development of court society during the Renaissance. Drawing on Elias, William Miller ( Anatomy of Disgust ) suggests sensitivity to disgust and being civilized are directly proportional. Martha Nussbaum ( Hiding from Humanity , 115-6) disagrees…
In his brilliant Earthly Powers (3), Michael Burleigh cites a passage from Tocqueville’s book on the French Revolution. Taking a note from Schiller about “how early modern religious wars spilled across political boundaries, which reminded Tocqueville of the ideological struggle between Jacobins and counter-revolutionaries in late-eighteenth-century Europe,” Tocqueville drew a…
Semyon Frank was a Russian emigre to London. Michael Burleigh ( Sacred Causes , 39) sums up his life: “Born in 1877 into a Russian-Jewish family, he had quickly outgrown a juvenile Marxism, converting to Orthodox Christianity in 1912, on the ground that the Jewish God was as remote from…
Our secular age can be sustained only if the secular has been carefully distinguished from the sacred, and only if the boundary between the two is vigorously, not to say violently, guarded. But boundary-drawing between the sacred and profane is the work of a priest. It is the sacred act…
Hugh Grady opens his Shakespeare and Impure Aesthetics (6-10) with a brief and illuminating discussion of Kant’s aesthetics of purity. By “pure” here is meant the freedom of aesthetic experience from cognitive reason and teleological judgments, from practical or moral interests. This disinterested experience of art is an encounter with…
Jonathan Klawans is a great one for cutting through nonsense. In his Purity, Sacrifice, and the Temple , he points to the oddity that “documents composed three, four, or even five centuries after the destruction are labeled as delayed responses to the destruction. . . the suggestion that it took…
Showing page 487 of 2212
Your weekly digest for all things Theopolis.
